Category Archives: Commfficiency

“Part 3 of 3: Communications ROI can Compete in the Internal Free Market,” by Jeff Posey

Greg Banks is a Director for Deloitte Consulting LLP. One of Greg’s career specialties is Marketing Return on Investment (MROI). I spoke with him about how we can apply MROI principles and leading practices to corporate communications.

Before you read Part 3, see Part 1: Is Communications ROI Part of Marketing ROI? and Part 2: How to Measure Investments in Communications.

Jeff Posey: I remember you saying that the principles of MROI are anticipated to create a free market for funding dollars.

Greg Banks: It gets a little philosophical, but any money that is spent without having accountability to generate a financial return is suspect in a free market for funding. It’s not just marketing and communications. It’s everything.

JP: If you’re the director or VP of corporate communications, how might your MROI philosophy change the way you manage?

GB: First, seek to convince yourself that you can and do influence financial return before you even get to all the fancy math.

If you’re talking about a corporate communications leader who has a small team, spends a very small percentage of a company’s revenue, the pressure’s not as high. But if I had that job, I would figure out how I contribute to the company’s financial return.

JP: And then after you embrace this idea, what do you do?

GB: First, define what you do. You can start as high-level as this:

Good Employee Communications = Higher Productivity = Higher Profit

Think about the steps you take and how they make the company more money, more growth, more profit. Write those steps down using SMART [Specific, Measurable, Achievable, Realistic, Time-based] objectives. Do that for your whole department, or natural subsections.

Then break it down, maybe by audience constituents. For constituent A, we want them to have a better image of our company. Constituent B needs to be willing to advocate for us in the halls of Congress. And on and on. You know your business.

And then, after all that, now I’m finally ready to measure.

JP: We’ve still not really made the tie all the way back to money.

GB: No, we haven’t. Only in concept, but not in measurement.

At this point, the juice of measurement may not be worth the effort of the squeeze. If it’s a big company, and there are three people doing messages to employees, it’s just not a big enough expenditure to bother measuring for ROI.

If, on the other hand, you’re the corporate communications leader of a big company, with a huge budget for buying naming rights, speaking tours, associations with celebrities, big events, a presence at rock concerts, something like $300 million a year, that certainly warrants the extra steps. For that big a chunk of expenditures, we would pull out the sophisticated stops and use things such as time-series regression and econometrics to see how much all that effort affects sales and the retention of customers.

Jeff Posey: If we have used SMART (Specific, Measurable, Achievable, Realistic, Time-based) objectives to measure what we’re doing, how do we start measuring and ranking?

Greg Banks: I imagine a pyramid, with a fully loaded measure at the top, a very precise assessment of money and dollars returned. As you go down the pyramid, you have less and less measurement precision, less direct relation to the return of dollars.

You don’t have to go nuts with this. You don’t want to spend more on measuring than you do on increasing the company’s gains. That’s crazy.

If you could demonstrate that what you’re doing increases employees’ understanding and compliance by even a few percentage points, that’s great. Just using cocktail-napkin math, productivity would go up a little, which would be worth $XX million to your company. That’s really attractive thinking from a senior management perspective.

I’m an MROI advocate, but I don’t seek perfection. I seek growth. I seek change and growth. If you learn how to do that, it’s better than just sitting in your cubbyhole and never asking.

JP: This is great. Thank you very much. Anything else to add?

GB: You’re welcome. It’s been fun.

I’ll finish with this. The basic philosophy of making more return than you use and proving it in a measurable way is good at each level of business. I can’t see any downside to it in the long run. It’s something anybody at any level can start thinking about, and we’ll all have to practice it sooner or later.

As used in this document, “Deloitte” means Deloitte Consulting LLP, a subsidiary of Deloitte LLP. Please see www.deloitte.com/us/about for a detailed description of the legal structure of Deloitte LLP and its subsidiaries. Certain services may not be available to attest clients under the rules and regulations of public accounting.

1 Comment

Filed under Commfficiency

“Part 2 of 3: How to Measure Investments in Communications,” by Jeff Posey

Greg Banks is a Director for Deloitte Consulting LLP. One of Greg’s career specialties is Marketing Return on Investment (MROI). I spoke with him about how we can apply MROI principles and leading practices to corporate communications.

Before you read Part 2, see Part 1: Is Communications ROI Part of Marketing ROI?

Jeff Posey: When you say MROI, what’s the I? What’s the investment? How can we identify investments in communications?

Greg Banks: It’s dollars. It’s not always obvious how to translate into dollars, but dollars are the great equalizer. Dollars are the way you put a value on effort and resources, and, handy for us, dollars are also the way to measure return to the company.

One of the important techniques is that you need a way to standardize dollars so you can compare. Some communications you may pay for in labor costs, on a bi-weekly basis; some you may pay for in material production, on an annual basis. We should standardize to get these both on, say, a weekly unit of time, so we can compare them.

JP: So you’re looking for magnitudes of difference in investment activities that affects the return in dollars?

GB: Yes. If your communication is big enough to make a change for your company, then don’t get hung up on precision. Figure out the dollars you invest in the communication and accept some tolerance in your definition.

Don’t invest inordinate time trying to capture every detail and every original thought by your communications team.

Here’s an example: For a project I was once involved in for a large company, we wanted to improve the marketing investment. We spent a lot of effort upfront to calculate the cost to generate a new sale.

Then we went back into the marketplace, and altered our plans based on our understanding of cost-per-sale. We made a lot more sales for the same investment. And we learned as an organization how to change.

Were we precise? No, not at that point. For this company, the value of a sale varied widely. Some sales generated $100 in profit, some generated $500. We knew this in concept, but we didn’t want to tackle this topic until after we got some marketplace experience. By the time we were on our third cycle, we evolved our measurement from cost-per-sale to NPV [net present value, a measure of profit]. And we kept growing, and kept learning.

If we’d tried to leap all the way to NPV in the first cycle, we might have bogged down and never gone back into the marketplace.

I’m sure there are parallels when trying to improve the return on communications efforts.

JP: Good enough is good enough.

GB: Yes, that’s right. MROI is more about the change than it is about the analysis. That’s a common misperception. It’s the same kind of thing we’ve seen with technology. It’s not about the technology, it’s what you do with it. It’s not about the analysis, it’s about making different, better decisions, or having validation of your decisions. I call it a “relentless improvement” approach – where you can get better over multiple periods of time.

The analysis itself is important, sometimes even awe-striking in what we can figure out. But if you come into it with analysis as your orientation, you can invest a lot of time and money and never earn a dollar in return.

JP: If I were trying to identify an analytical approach in a corporate communications environment, how would I start?

Before that question, ask yourself: What’s your goal? Can you link it to something that has a financial value to the company?

JP: So I started trying to analyze before I even figured out what I’m trying to change.

GB: You almost fell into that trap we were talking about. You were too focused on the details of the analysis, of how you calculate it. That’s just a means to an end.

Think about what you’re trying to accomplish as a corporate communicator. If you, for example, influence a group of employees, what actions do you expect them to take? How does that lead to more revenue or lower costs? That’s the kind of thought process I’d recommend.

You don’t have to be a purist. All things don’t have to fit into a sophisticated statistical model. Think of it this way: Most other disciplines are trying to generate some financial gain for the company. Communications should have that orientation as well.

Next week, see Part 3 of 3: Communications ROI can Compete in the Internal Free Market

As used in this document, “Deloitte” means Deloitte Consulting LLP, a subsidiary of Deloitte LLP. Please see www.deloitte.com/us/about for a detailed description of the legal structure of Deloitte LLP and its subsidiaries. Certain services may not be available to attest clients under the rules and regulations of public accounting.

2 Comments

Filed under Commfficiency

“Part 1 of 3: Is Communications ROI Part of Marketing ROI?” by Jeff Posey

Greg Banks is a Director for Deloitte Consulting LLP. One of Greg’s career specialties is Marketing Return on Investment (MROI). I spoke with him about how we can apply MROI principles and leading practices to corporate communications.

Greg’s MROI practice philosophy is well-summarized in an article he wrote for Deloitte titled “The MROI Mandate.” In short, he advocates five recurring steps:

  1. Architecture
  2. Standardization
  3. Analysis
  4. Dashboarding
  5. Change

This conversation took in December 2011.

Jeff Posey: Do you believe communications can be a marketing function?

Greg Banks: Sure. Communication is a big part of a marketer’s toolkit. When you call it corporate communications, I believe many experts would place that under the umbrella of marketing.

JP: How could communicating with employees affect marketing?

GB: Let’s paraphrase Philip Kotler’s definition of marketing: “answering customer needs profitably.” It’s often been the case that virtually all employees affect marketing. In recent years, employees’ impact on customers has become even more pronounced because of first the Internet and now social networking. Employees and customers and all other sorts of stakeholders have conversations in virtually every direction at various times.

I’m not saying that all employee communications is marketing, or even that all communications is marketing, but under the broad definition of marketing, employee communications can easily be included.

JP: What portion of corporate communications might not be considered marketing related?

GB: It gets a little philosophical. As an example, some would say that Human Resources communications on 401-K benefits is outside of marketing. But I could make a case that this is marketing – to employees.

JP: Does that get into your position of “Open-Loop” vs. “Closed-Loop” marketing?

GB: That’s a bit of a tangent, but it’s one that I like.

JP: I have the luxury of knowing your material.

GB: Yes, you do. You helped me write a lot of it!

You remember well then that one of the biggest changes in our professional lifetimes has been going from Open Loop to Closed Loop. It used to be that we controlled most of the information customers knew about products and services [a Closed Loop], and today that’s no longer the case [it’s become an Open Loop].

Think about all the many steps that happen before your information actually affects the buyer. Customers get influenced by your employees, their peer groups, media, blogs, texts, and countless others. Mix and match all these together, and it can take a long time for any particular piece of information to pop up later and influence the buyer to buy or not to buy

The term Open Loop hasn’t caught on since we wrote that article, Jeff. It has been usurped by concepts like social networks. Nevertheless, the points are still valid. Companies don’t control anymore, at best we influence. Even though a communication may pinball around for several weeks, you’ve still got to figure out if it’s helping you or hurting you. And how much effort you put into trying to control it.

JP: Are these social networks more than we can get our arms around?

GB: No. We humans keep figuring it out, at a slightly slower rate than we invent it. The new communications paradigms – where individuals drive their own networks – complicate matters a lot. But we’re getting our arms around it.

At Deloitte, as an example, we have a whole practice devoted to what we’re now calling “unstructured data,” where we organize pictures and text in daily volumes that improve upon decades of the past – and we can analyze it the same way we have been analyzing structured data. It’s new and exciting, and yes a little overwhelming at times, but we’re getting our arms around it.

JP: That would be a complicated thing to visualize, I would guess.

GB: Yes. There’s a whole other practice forming called data visualization, just to draw these kinds of maps. The ones I like best look like a stellar system. There’s a big star in the middle, then hundreds of planets and moons. The star is an influential person or media outlet or company, the central point of influence, and then it goes all over. A recent issue of the Harvard Business Review has an article with a great graphic [see “Forget Viral Marketing — Make the Product Itself Viral,” with this graphic]. It’s evidence of how many people are working hard to catch up with it from a business perspective.

The first thing that has to be done is an acceptance that, even when it looks as complicated as this, it is still something that needs to be measured and managed. To butcher a quote from the third Godfather movie, “if history has taught us anything, it’s that anything can be managed and measured and treated like an investment.”

JP: So even communications people have to think like investors?

GB: Yes, absolutely. Everybody has to think like business owners who manage for profit and not get thrown off by details of the changes going on all around them. Everyone should drive growth and profit to remain viable. It might be hard to measure, but that doesn’t mean that it’s a freebie.

Next Monday, see Part 2 of 3: How to Measure Investments in Communications

As used in this document, “Deloitte” means Deloitte Consulting LLP, a subsidiary of Deloitte LLP. Please see www.deloitte.com/us/about for a detailed description of the legal structure of Deloitte LLP and its subsidiaries. Certain services may not be available to attest clients under the rules and regulations of public accounting.

6 Comments

Filed under Commfficiency

Communication: “Three Things to Think Before you Write,” by Jeff Posey

Novelist Zoe Winters recently blogged about how to write faster (“The 10,000 Word Day“). Her trick? Not to spoil her show, but basically she took time to think about what she would write before she wrote it.

That got me to thinking about the most important things you can think before you write. Whether it’s for a corporate employee audience or a novel. This is a crucial part of the creative process.

#3 Voice

Yeah, that’s right, voice. Who is speaking? In fiction, you want to fully know the sound of your speaking characters (even omniscient narrators) and how it comes across to readers. Be a reader and imagine it.

Similarly, for corporate audiences, in what voice are you speaking? Like a bullhorn announcement in a bustling factory? A rah-rah coach? A monotone of robot-like efficiency?

Only when your mind really hears the voice of what you’re trying to say in your writing will you have the strongest and most appropriate voice.

#2 Motivation(s)

Few people are motivated by only one thing. And often, the primary motivation is hidden beneath a smokescreen of rationalized motivations. This goes for both fiction and corporate writers.

We all know that many corporate decisions labeled as one thing are really about something else, something unspoken. It’s your job as a professional communicator to not fall for the propaganda, even if you write. To master the delivery of your message, you must understand all the underlying forces, or you could risk saying and inciting something you didn’t intend.

How can you find that out in a corporate environment? Here’s a useful rule of thumb: Ask the “why” question several times until you get stonewalled, then assume they’re hiding the worst.

I’m only partly kidding.

#1 Setting

A desert? Heat and wind and sand? Or a hospital bed?

Context is as powerful as voice and motivation combined. Ask yourself what is going on around the story you are trying to tell. What is left unsaid? Why is it left unsaid? Does everyone know it but no one will talk about it?

The setting, in corporate stories, is often cited as obstacles to satisfying the underlying motivations: dire economic times, threat of union strike, impending buyout. A story that’s innocent in one context can be inflammatory in another.

After you’ve pondered each of these three things deeply, then you’re in a better position to begin writing (kicking off the part of the creative process that gives you written evidence of your output). Perhaps you can then crank out the best first draft in your life.

What do you think about before you write? How much time do you spend thinking before beginning to write?

 

1 Comment

Filed under Commfficiency, Writing

“Corporate Communication Efficiency: Three Version Control Tips,” by Jeff Posey

What’s the latest version? Is it the Version 7 you have, or the Version 7 I have?

You do not want to get caught in those situations. Version control is very important in the efficient flow of corporate communications.

Here are three tips I’ve learned help keep confusion from blooming out of control:

One: Initial Latest Version

Every time I share a version with anyone else, I add my initials to the version so they’ll know who worked on it last. So I send them, say FileName V7JP. When they send it back with their changes, they probably didn’t think to chance the file name, so I change it and add their initials: V7LJ. 

My new work file then becomes, V8JP.

Two: Make Frequent Version Changes

Seems absurd sometimes, but making lots of version copies — with every significant change — can help keep things straight. Especially if you want to go back and pick up something that you deleted in an earlier version. If you have, in reality, make 12 substantive versions, but you only kept two working versions, you may have lost that little change you want to pick back up in V7.

Three: Archive for Clarity

I make an Archive folder and drop all the older versions into it, so the only version visible in the main folder is the live one, the current one. Even if you are the only one who views the folder, this is a good practice. But if it’s a shared folder, this really helps keep mistakes to a minimum (you know, when someone goes in to get the latest version, and they mistakenly pull the wrong one to work on).

Other Good Ideas

It’s also a good idea to instill in your colleagues that using the Track Changes tool (in Microsoft Word) is very helpful for reviews. It keeps you, the keeper of the master file, from having to search for whatever minor changes they may have made. (It also lets you easily reject changes that make no sense, and keep the ones that do.) I save these review versions, in the Archive folder, with the reviewer’s initials in the file.

Make PDF copies: This can be an alternative way to keeping lots of different file versions. You can make a PDF with the date and time stamped in the file name, and pitch it into the Archive folder.

What are your best tips and tricks for keeping your file versions under control?

2 Comments

Filed under Commfficiency

“Corporate Communications Efficiency: Clarity as Defense,” by Jeff Posey

Once a high-level corporate executive, a recognized expert in his field, attacked me for the way I’d edited a paper he had written. He invited (well, summoned) me to his office to defend myself (well, to chew me out).

To his enduring credit, he listened as I began to go through his paper edit-by-edit, and he grudgingly (at first) agreed with my changes one by one until, at the end of nearly an-hour-and-a-half, he looked me in the eye. “I didn’t like it at first, but there’s no doubt you made it better. I thank you for that.”

From that day forward, he wanted me to edit everything he sent out, and although he questioned and challenged me, he treated me as an equal who added value to his intellectual product.

Lesson: Editing for clarity can save your butt.

In a politically charged atmosphere, which is the more-or-less constant state of corporate America, being able to defend your work on an item-by-item basis with the outcome of greater clarity is an imperative strategy for anyone who edits the work of powerful people in corporate communications.

Three Rampant Examples

Acronyms. This trips up almost everybody, but is especially rampant in specialized fields, particularly when a subject-matter expert is writing to an audience larger than her peers, but imagines that she is speaking to her peers (often because she instinctively wants to avoid “talking down” to non-specialists).

In the instance of the executive calling me to his office, he used the acronym IPO (yes, on first reference, without clarification — always a no-no) in the context of physicians forming their own businesses. It really ticked off the executive when I removed the acronym and replaced it with “Independent Physician Organization.”

He looked at me and said, “Everybody in the business knows what that means. It makes me look stupid to spell that out.”

My response: “Read the passage again, but this time, insert ‘Initial Public Offering’ as the meaning of IPO.” He did. Went silent. Nodded his head and muttered, “I’ll be damned.” He saw it. It made sense that way, too, though it would make the reader miss his point.

Sentence length. Amateur writers, especially those who are highly educated, tend to write really long sentences — many of which do not stand up to analytical scrutiny when you try to wring clarity from them. I estimate that one out of three such long sentences are grammatically incomplete.

To defend yourself to the author, come up with two or more competing interpretations of what the long sentences mean. In my experience, that technique has never failed to make the writer back down and agree to shorter sentences that more clearly make his point.

Argument arc. You’d think super-smart people wouldn’t make such basic mistakes as failing to deliver three examples when they say they’ll give the reader three examples. But the failure to fully complete the argument as promised in the early part of the piece is one of the most common clarity problems I encounter.

Compare the opening to the close in particular. Make certain that what is delivered in the end is what was promised in the beginning. When you point out these kinds of clarity problems to the expert (but amateur) writers, they tend to start making excuses. “Well, I felt I’d made a pretty good case and didn’t really need that little piece of evidence.” Or, “I had something in mind to put there, but I couldn’t find the reference when I wrote it up.”

Yeah. Whatever. From the final reader’s perspective, those kinds of excuses don’t cut it. All readers know and care about is the final product.

Our role as editors

Editing well is difficult. It’s not your job to make any given piece read as if you wrote it, or force it into a common tone or style (unless your corporate communications boss tells you to do such a thing — and if they do, ask them to call me, and I’ll point out why that can be a really stupid directive [see “Corporate Communications Efficiency: Attribution as a Matter of Honor,” by Jeff Posey]).

It’s solely your job to make the written piece as clear as possible to the largest portion of the potential audience. Anything else you do is without merit, and you’ll lose the argument (and trust) of the politically powerful executives and experts when they call you on the carpet to defend yourself.

Your stories

Have you had to defend your editing decisions to powerful people in your organization? If so, how did it go? How might you have better defended yourself?

Leave a Comment

Filed under Commfficiency

“Corporate Communications Efficiency: Attribution as a Matter of Honor,” by Jeff Posey

 

Says who?

It’s one of our primal questions, one that surfaces in children about the time they develop (or at least give voice to) a sense of fairness. Remember that urge to know? If your mother said “Close your trap and sit down,” you’d shut up and sit down. But if it’s the older brother of that kid who doesn’t like you, you’d tell him to stick it and that you can do whatever you want.

Now imagine you don’t know who is delivering the directive. Because it comes from something like “The Collective Unit.”

That’s how most corporate communications come across. A directive will be sent out to attend mandatory training, and the only indication of “who” it’s from is the email addres: corpcommsall@company.com.

What do you do if you’re the employee? Especially, say, an overworked, highly productive, under-appreciated, middle-of-the-company employee who represents the basic fabric of what keeps the company together?

You know the answer. You’d be like Jason in his response to last week’s post:

I ignore 90% of what my corporate communications group sends out … I get so many emails, the ones I know I don’t have to look at, I don’t.

via “Corporate Communications Efficiency: Do You Treat Your Audience Like Children?” by Jeff Posey | Jeff Posey.

Of course you would. We naturally tend to discount directions that are sent to us from unidentified sources.

But imagine the difference if you know the identity of the sender, of the person authorizing the action presented? How does that feel differently to you as a valuable employee?

Yes. Of course. You feel more respected. At least a person is responsible for an action. It’s a point of honor. Right, Jason?

Compare these two messages:

  1. “All non-exempt employees will record their timesheets to the minute, not rounded to the nearest quarter-hour, as of January 1.” –no attribution from email address: corpcommsnonexempt@company.com.
  2. “We’re tightening the way we capture and pay for hours because we want to be both efficient and fair,” says Tom Egbert, Chief Timesheet Officer. “Therefore, as of January 1, please start recording your time to the minute.” From email address:Tom.Egbert@company.com

Not fair, you say — the attributed message was very different! It had more explanation and a more respectful tone.

Exactly, I say. The mere act of deciding to give attribution to corporate messages automatically makes corporate communications writers (and their approvers) create different output. Why? Because the person named doesn’t want to come across like a jackass.

And, secondarily, you’ll have the answer to “says who?” when your employees ask it. Two great outcomes accomplished from one simple strategic decision.

Does your company give attribution to whoever is making the decision responsible for the communication they’re sending you? Or do they send anonymous directives? How does that make you feel as an employee?

4 Comments

Filed under Commfficiency

“Corporate Communications Efficiency: Do You Treat Your Audience Like Children?” by Jeff Posey

The most important communications strategy you can have is your attitude toward your audience. Do you respect them? Give them full credit as sentient beings? Or do you assume they’ll ignore your message even at the expense of screwing up?

In other words, is your audience fourth-graders? High schoolers? College frat boys? Professionals?

In employee communications, the ROCI you experience (that’s Return On Communications Investment), as well as the overall long-term productivity of the company as a whole, depends on how you perceive your audience. Why? Because professional employees will not only resent being treated like irresponsible children, they’ll mimic your modeling behavior and treat others the way you do. Imagine being one of your professional employees. If you’re treated like a fourth-grader, in many micro ways you will begin to erode company value by acting like a fourth-grader.

Here’s an example that’s real but scrubbed to protect the guilty.

A company of 50,000 employees has a major new initiative about to roll out that changes the way health care insurance information for employees is tracked and paid. Before the new system kicks off, you have a two-week period in which employees cannot change any of their personal health care information.

How do you choose to deliver that message? For the sake of my example, you have three options:

  1. Insist that every single employee, insofar as is possible, gets the full message and understands all the details in case they have a change to make during the blackout.
  2. Broadcast a single simple message that allows employees to self-select whether they learn the details. Those who don’t anticipate making any changes during the blackout can ignore the message. Those who think they will can drill down for all the dirty little secrets.
  3. Let employees know on a demand basis — meaning only explain the situation fully to employees who want to make a health care information change during the blackout. And provide a couple of trained people on the Help Desk to help the most-insistent employees through the workaround.

Far too often, I see companies choosing Option #1. Why? Because it seems easier on the surface. Just blast and pound the message with all the details included and if employees are too foolish to miss it, then the executive in charge can wash his hands and say, “Well, we tried to pound it into their heads.”

If you work for a big company, I’m sure you’ve seen this kind of barrage communications technique: Waves of emails with all the details attached, pop-up message on the company intranet, mandatory meetings lined up for your manager to grind the information into you, video messages from senior leaders, posters on restroom doors — just about everything in the employee communications arsenal.

How did these make you feel? Were they efficient? Did you feel respected as a decision-making human being?

I call Option #1 the “Let’s Treat Everyone Like Little Children” solution. Option #2 at least treats gives a little respect and assumes they’re able to decide whether this message applies to them or not. But Option #3 is my favorite. I mean, do you really need to know there’s a two-week blackout if you have no personal health care information to change during that time? Not likely.

Good employee communicators have a natural ability to have empathy for employees and can intuit their reaction to messages (which does not mean you don’t have to ask questions and test — yes, you do). If you have a message that ultimately applies to only a small percentage of all employees, then do not send that message to all employees. It’s simple. It’s much easier in the long run. It reduces noise, so that truly important messages can get through. And it builds a culture of respect that results in greater productivity across the board.

What kinds of message have you received as employees of large companies that made you feel dis-respected, diminished, treated like a child?

7 Comments

Filed under Commfficiency

“Corporate Communications Efficiency: 3 Ways to Avoid Viral Interview Syndrome,” by Jeff Posey

Viral Interview Syndrome? Yeah, you know, when you interview a source and she says, “You really need to talk to X and Y.” Then you talk to X and Y, and they say you really have to talk to Q and P and V and R and, oh, by the way, the janitor’s a pretty good guy too, so get a quote from him.

If you followed those requests and recommendations without stopping, in about five-and-a-half years you would have interviewed the entire company and every client, past and present. Then you would begin to write your 250-word newsletter article, if your assigning editor didn’t kill you first.

So how do you get out of these kinds of requests unscathed? By that I mean with your political skin intact. In corporate writing especially, almost everyone you interview will want to divert some of the attention to others on their team. It’s not a bad impetus on their part. But it can wipe out your productivity. And you risk looking bad if you interview a bunch of folks and only include one or two of them. Oh, and if you outright refuse to interview someone, it can stir up a nest of political hornets out to get you.

I’ve found these are the best three ways to politely escape Viral Interview Syndrome:

One: Head it Off at the Pass

Ask your assigning editor (or whatever you call the person who is paying you and directing you to do the interviews) to send an email to the interview subject(s) that introduces you and requests that they help overall efficiency by not referring the writer (you) to anyone else to interview.

In lieu of that, in your email of first contact (see “Corporate Communications Efficiency: Do Your Emails Suck?” by Jeff Posey for more), you can make the same request: “I’m trying to be efficient and interview as few people as possible to get the complete story.”

Most interview subjects will understand a request to be efficient.

Two: Offer a Mention Without an Interview

This means you offer to mention the person your subject wants you to interview, but without actually interviewing them. That gives the person some visibility and credit, and will often satisfy your subject.

Three: Make Your Boss the Heavy

Yeah, if feels chicken and self-belittling sometimes, but it also works. Tell your subject that your boss (assigning editor, whatever) approved your talking to them, but not to the new source, and that you’ll have to ask for permission.

Most subjects will back down, because they know what it’s like to have to ask the boss for extra time on a project.

What if Your Subject Still Demands you Talk to Another Person?

Do it. What the heck? About a third of the time, the most valuable thing you can do is offer an ear to someone in the organization who really wants to tell their story. Let them. Incorporate it into your article if you can. But make sure you let them know you have space restrictions and what they tell you may not make it into the final version.

Being a professional corporate communicator oftentimes is more like being an industrial psychologist than being a reporter/writer. Go with it. And help people by making connections when you can. It’s those little value-adds that ultimately get you noticed more than your writing ability, anyway.

How about you? Any advice on how you’ve avoided the endless Viral Interview Syndrome trail?

These posts are my regular musings on corporate communications efficiency, a sketchbook for my book in progress, “Commfficiency: How To Do More With Less in Corporate Communications.”

2 Comments

Filed under Commfficiency

“How Did That Happen? Analysis of a Creative Moment,” by Jeff Posey

Meryl K. Evans asks a hard question: “What helped make that possible?”

She asked this about my reply to her original question, “What was memorable today for you? I answered, “The arc of a character I’ve been building for two months finally became clear!” You know. One of those cheeky Twitter conversations.

But then Meryl asked what had made that moment possible. The more I thought about it, the more I realized how valuable it is to understand what makes high-creative moments possible.

In my particular case of today, which we’ll use as our specimen, I had a sudden lull in client work. After a morning of designing and writing an original idea for a corporate end-user’s guide to a new HR website, my client work went away for the rest of the afternoon.

What I did next I blame on NaNoWriMo (National Novel Writing Month), which begins November 1. I’ve been noodling around a novel idea for a couple months using sticky notes on a big piece of white three-panel cardboard like school kids use for science fairs. When I had the lull in my client work, I decided to spend a couple hours staring at my story board and making notes. November 1 fast approaches.

I picked my most difficult character (Baxter) and began working on his motives at different parts of the plot arc. I wrote two pages of notes about his back-story in my writing journal. Then I stopped and just stared for a good long while. Probably looked catatonic. Or like I took a nap while sitting up. I imagined in a dreamlike kind of fast-motion Baxter moving through the story. I also imagined a few scenes with Baxter from the viewpoints of my other two main characters.

And that’s when it struck me. I stood up. Slapped my writing journal closed. Started pacing. I knew where Baxter had to go in the story. Faced with either redemption or murder, he chooses … to run away. Made me sad to realize that. I’d been rooting for murder. My wife had been rooting for redemption.

So what did we have here? I studied the Management of Creativity in college as a special MBA track before I changed to something that challenged me more because of my innate ignorance — financial analysis. What I found in those studies, and what I experienced today with the Baxter character, is these essential conditions for creativity:

  1. Personal space
    If people watch or judge what you’re doing or what you look like, it’s stifling — unless you have amazing powers of concentration.
  2. A deadline
    If you’ve got time to put something off, your creative mind will take that opportunity to put it off.
  3. Compost
    Rich material, experiential and intellectual, from which the creative solution can be grown, and that has been allowed to fester in a stress-free environment for a little while.
  4. Recognition
    Allow yourself to know when it comes out so you can capture it.

I believe if you give yourself (and others) these things, you’ll find creative stuff burbling out of you like a hot spring.

See this blog post for a corporate creativity management perspective: “Corporate Communications Efficiency: Managing Creativity,” by Jeff Posey

Does this ring true for your creative moments? What’s different for you? And thanks, Meryl, for making me think.

4 Comments

Filed under Commfficiency, Writing